Amazing TV & Movies
This page brings together feature films and television films from different countries, periods, and genres. The selections are personal rather than ranked. Each entry briefly explains what the work is, what it examines, and why it remains worth watching.
These selections span a wide range of ages and subject matter. Some are unrated in the United States, and television programs use a different rating system. Before viewing, check the current rating for the specific release and a detailed content guide. I encourage you to check out The Motion Picture Association of America rating and Common Sense Media: Age-Based Media Reviews for Families for detailed information.
Casablanca
Details: Casablanca is a 1942 wartime romantic drama with noir elements, set in Vichy-controlled Morocco during World War II. The film centers on Rick Blaine, a cynical American expatriate who runs a nightclub where refugees, officials, smugglers, and resistance figures cross paths while trying to escape Europe.
When Rick’s former lover Ilsa Lund arrives with her husband, resistance leader Victor Laszlo, the story becomes a test of memory, loyalty, and moral courage.
La Dolce Vita
Details: Federico Fellini’s 1960 Italian drama La Dolce Vita follows a tabloid journalist through the glittering and exhausted world of modern Rome. Moving through celebrities, aristocrats, nightclubs, religious spectacle, and empty pleasure, the film studies fame, spiritual drift, moral fatigue, and the search for meaning beneath a glamorous surface. Rather than telling a conventional plot, La Dolce Vita unfolds as a series of encounters that reveal a society both dazzling and hollow.
Chinatown
Details: Roman Polanski’s 1974 crime drama Chinatown follows private investigator Jake Gittes through a Los Angeles shaped by secrets, wealth, and political corruption. What begins as a private investigation gradually reveals a larger story about land, water, murder, and the abuse of power.
Set in 1930s Los Angeles, the film turns water into a symbol of control: whoever controls it controls the city’s future.
The Great Dictator
Details: Charlie Chaplin’s 1940 political satire The Great Dictator attacks fascism, antisemitism, and dictatorship through comedy, parody, and direct moral warning. Chaplin plays both a tyrannical ruler modeled on Adolf Hitler and a Jewish barber caught inside a society being reshaped by fear, propaganda, and persecution.
The film uses absurdity to expose the vanity and cruelty of authoritarian power, but its comedy is never only comic.
The Seventh Seal
Details: Ingmar Bergman’s 1957 Swedish drama The Seventh Seal is set in medieval Sweden during the Black Death. It follows a knight returning from the Crusades who meets Death and tries to delay his fate through a game of chess.
The film explores death, faith, doubt, fear, and the human search for meaning in a world marked by suffering and uncertainty.
8½
Details: Federico Fellini’s 1963 Italian film 8½ follows Guido Anselmi, a film director trapped in a creative and personal crisis while preparing a new movie. As his project begins to fall apart, his memories, fantasies, relationships, and professional pressures blur together.
The film is about artistic exhaustion, self-doubt, desire, memory, and the difficulty of turning life into art.
Dog Day Afternoon
Details: Sidney Lumet’s 1975 crime drama Dog Day Afternoon follows a failed Brooklyn bank robbery that turns into a tense public spectacle. As Sonny Wortzik tries to control the situation inside the bank, police, crowds, and television cameras gather outside, turning private desperation into public theater.
The film studies pressure, fear, media attention, and the unstable line between sincerity and performance.
Seven Samurai
Details: Akira Kurosawa’s 1954 Japanese epic Seven Samurai follows a farming village that hires samurai to defend it from bandits after the harvest. The film builds its story around preparation, teamwork, class tension, sacrifice, and the cost of violence.
Stalag 17
Details: Billy Wilder’s 1953 comedy-drama Stalag 17, follows American prisoners held in a German camp during World War II. When escape attempts fail and suspicion spreads through the barracks, the men begin to believe that one of their own is betraying them.
The film mixes wartime captivity, dark humor, mystery, and distrust, turning the prison camp into a place where survival depends on nerve, suspicion, and performance under pressure.
Note: Stalag 17, was adapted from Donald Bevan and Edmund Trzcinski’s play by screenwriters Billy Wilder and my grandfather, Edwin Blum.
Rashomon
Details: Akira Kurosawa’s 1950 Japanese drama Rashomon examines truth through conflicting accounts of the same crime. As different witnesses describe what happened, each version reveals not only the event itself but also the pride, fear, shame, and self-interest of the person telling it.
The film studies subjective truth, unreliable testimony, guilt, and moral uncertainty.
La Cage aux Folles
Details: Édouard Molinaro’s 1978 Franco-Italian comedy La Cage aux Folles follows Renato and Albin, a gay couple who run a drag nightclub in Saint-Tropez. When Renato’s son becomes engaged to the daughter of conservative parents, the family tries to stage a respectable version of itself for a disastrous dinner.
The film studies family, performance, social respectability, and the pressure to hide parts of one’s life in order to be accepted.
Radio Days
Details: Woody Allen’s 1987 nostalgia comedy Radio Days looks back at family life in Rockaway Beach, Queens, during the late 1930s and 1940s. Through the memories of a young boy and his extended family, the film shows how radio programs, music, news, and entertainers shaped everyday imagination before television took over.
The film moves between a crowded family home and the more glamorous world of radio performers, turning memory into a series of comic and affectionate episodes.
Sunset Boulevard
Details: Billy Wilder’s 1950 Hollywood drama follows a struggling screenwriter who becomes entangled with Norma Desmond, a former silent-film star unable to accept that her era has passed. The film studies delusion, fame, failure, dependence, and the cruelty of a changing movie industry. It remains one of the sharpest films about Hollywood’s ability to create stars, discard them, and leave them trapped inside their own legends.
Three Days of the Condor
Details: Sydney Pollack’s 1975 political thriller follows a CIA researcher who returns from lunch to find his entire office murdered. Forced into hiding, he tries to survive while uncovering a conspiracy inside the intelligence world.
Munich
Details: Steven Spielberg’s 2005 political thriller follows the aftermath of the 1972 Munich Olympics attack and the secret Israeli mission to target those believed responsible. The film studies grief, retaliation, national trauma, and the moral cost of answering violence with further violence.
Apocalypse Now Redux
Details: Francis Ford Coppola’s extended 2001 version of his Vietnam War epic follows a military mission that becomes a psychological descent into violence, power, and imperial madness. Apocalypse Now Redux is not just a longer cut; its added scenes slow the journey, deepen the film’s political unease, and make the war feel even more surreal, exhausted, and morally unstable.
Mon Oncle
Details: Jacques Tati’s 1958 comedy contrasts old neighborhood life with the strange perfection of modernist design and consumer convenience. Through the gentle chaos of Monsieur Hulot, the film studies technology, social status, awkward behavior, and the way modern spaces can make ordinary human life feel mechanical, fussy, and absurd.
Fanny and Alexander
Details: Ingmar Bergman’s 1982 family epic is set in early twentieth-century Sweden, around 1907, and follows two children growing up inside a wealthy theatrical family. The film blends childhood memory, holiday warmth, theater, religion, grief, cruelty, and imagination.
After their father dies and their mother remarries a strict bishop, the children move from a lively world of performance and affection into a colder household ruled by discipline and fear. Bergman uses the story to study family life, artistic freedom, religious authority, and the way children use fantasy and memory to survive what adults cannot explain.
Monsieur Hulot’s Holiday
Details: Jacques Tati’s 1953 seaside comedy follows Monsieur Hulot as he arrives at a modest beach resort and gently disrupts the habits of the other vacationers. The film is built less around a conventional plot than around small observations: awkward greetings, hotel routines, beach games, dining-room rituals, and the quiet absurdity of people trying to relax according to social rules.
The film studies leisure, social awkwardness, class behavior, and the comedy hidden inside routine. Its humor is gentle but exact.
Modern Times
Details: Chaplin’s 1936 industrial-age comedy satirizes factory work, automation, poverty, and modern life through the Tramp.
Scarface
Details: Brian De Palma’s 1983 crime epic follows Tony Montana, a Cuban immigrant who rises through Miami’s narcotics underworld through ambition, brutality, and hunger for status. The film turns the gangster story into a study of excess, power, paranoia, and self-destruction.
Super 8
Details: J. J. Abrams’s 2011 science-fiction adventure follows young filmmakers who stumble into a military cover-up and an alien mystery.
The Lady Vanishes
Details: Hitchcock’s 1938 train thriller turns a missing passenger into a compact story of conspiracy, denial, and suspense.
Barry Lyndon
Details: Stanley Kubrick’s 1975 period drama follows Redmond Barry, an ambitious Irish adventurer who moves through war, gambling, marriage, and aristocratic society in eighteenth-century Europe. His rise is elegant on the surface, but the film gradually turns social ascent into a cold study of luck, vanity, class, and decline.
Inglourious Basterds
Details: Quentin Tarantino’s 2009 alternate-history World War II film mixes revenge fantasy, suspense set pieces, and cinema about propaganda, identity, and performance. The film follows intersecting plots involving Jewish resistance, Nazi spectacle, undercover deception, and a planned attack on a propaganda premiere in occupied France.
2001: A Space Odyssey
Details: Stanley Kubrick’s 1968 science-fiction landmark moves from human origins to artificial intelligence, space travel, and cosmic transformation. The film begins with early humans discovering tools and ends with a mysterious leap beyond ordinary human experience, linking evolution, technology, and the unknown.
Its central space sections follow a mission shaped by secrecy, silence, and the presence of HAL 9000, an artificial intelligence whose calm voice becomes increasingly threatening. Rather than explaining every mystery, Kubrick uses image, music, scale, and stillness to make space feel both beautiful and terrifying. The film studies human progress, machine intelligence, isolation, and the possibility that evolution may be guided by forces beyond human understanding.
A Day at the Races
Details: The Marx Brothers’ 1937 comedy follows chaotic schemes around a sanitarium, a horse race, and a string of comic set pieces.
Mission: Impossible III
Details: J. J. Abrams’s 2006 action thriller pits Ethan Hunt against a ruthless arms dealer while pushing the spy series toward more personal stakes.
The Producers (1967)
Details: Mel Brooks’s 1967 comedy follows a scheme to profit from a deliberately terrible Broadway show.
American Gangster
Details: Ridley Scott’s 2007 crime drama follows Harlem drug lord Frank Lucas and the law-enforcement pursuit around him.
The Third Man
Details: The 1949 noir set in postwar Vienna is known for atmosphere, zither score, and moral ambiguity.
The Godfather Part II
Details: Coppola’s 1974 crime epic pairs Michael Corleone’s consolidation of power with Vito Corleone’s immigrant backstory.
Twin Peaks
Type: TV series
Details: David Lynch and Mark Frost’s 1990 mystery series mixes murder investigation, surrealism, and small-town Americana.
Dr. Strangelove
Details: Stanley Kubrick’s 1964 black comedy turns nuclear war into a terrifying absurdist farce. The film satirizes military logic, political panic, Cold War paranoia, and the fragile systems that place world-ending power in the hands of unstable men. Its comedy is sharp because the danger is real: behind the jokes is a nightmare about bureaucracy, masculinity, technology, and the possibility that civilization could destroy itself through procedure.
The Shining
Details: Stanley Kubrick’s 1980 horror film follows a family isolated for the winter inside the Overlook Hotel, where loneliness, resentment, supernatural fear, and psychological breakdown begin to merge. Its slow pace, disturbing images, and intense atmosphere make it a major work of modern horror.
North by Northwest
Details: Alfred Hitchcock’s 1959 mistaken-identity thriller follows an advertising executive who is accidentally pulled into a world of spies, deception, and danger. The film combines suspense, romance, humor, and elegant set-piece filmmaking, including the famous crop-duster sequence and the Mount Rushmore finale. It remains one of Hitchcock’s clearest examples of a normal man trapped inside a plot he does not understand, forced to survive through charm, instinct, and luck.
Narcos
Type: TV series
Details: This crime series follows the rise of major drug cartels and the law-enforcement campaigns built to stop them. Moving through cartel violence, political corruption, police work, intelligence operations, and international pressure, the series studies how the drug trade reshapes entire institutions, not just individual criminals.
The Music Room
Details: Satyajit Ray’s 1958 drama follows a fading Bengali aristocrat who clings to music, status, and the rituals of a world disappearing around him. As his wealth declines and a new social order rises, he retreats into private performances, memory, and pride.
Dekalog
Type: TV series
Details: A Polish television series by Krzysztof Kieślowski, Dekalog tells ten separate but spiritually connected stories set around a Warsaw apartment block.
Inspired by the Ten Commandments, the series examines moral choice, guilt, love, chance, and the quiet pressure of everyday life.
Steamboat Bill, Jr.
Details: Buster Keaton’s 1928 silent comedy follows a mild, awkward young man who returns home and tries to prove himself to his tough riverboat-captain father. The film builds its comedy around family conflict, romantic trouble, riverboat rivalry, and Keaton’s deadpan response to danger. Its most famous sequence comes during a cyclone, when buildings collapse, streets fall apart, and Keaton moves through disaster with impossible calm.